not of the drink, I have to add. I like a drink in moderation (mainly because of my age and headaches) but more often than not we have to have the conversation. Are you driving or am I. But my influence is coming more from other artists, friends and family.
It’s been a relatively busy week with one friend moving into her new home and new life, the end of a photography course for beginners (please don’t ask me what IOS stands for), two days helping out at my friend’s knitting and art shop, several trips to different events or places, a day of babysitting two lovely dogs, one full day’s workshop delivered and an art demo and talk to come tomorrow by an artist in residence who I am thinking of as, not just a fellow artist, but a new friend. Yes, she’ll soon head back to her own life and family with all the influences and memories she’s gathered in a very busy, enjoyable and, I hope, successful residency in Shetland, and we’ll no doubt keep in touch through social media but our lives have collided unexpectedly and delightfully and I’ll always remember her surprise and joy in what we were able to share with her of our much-loved adopted home. She, in turn, has given me ideas for my next steps based on her experiences of co-operating with other artists which I will take to heart and use as best I can.
So we may have had an influence on her time here but she has certainly sharpened our enjoyment of all that is good about Shetland and no doubt her demonstration and talk will slightly deflect my current thinking and practise in painting, as have previous artists-in-residence met through this space in Scalloway that attracts creative people from all over the world. We have met some great characters and lovely artists such as Michael Morgan and Katherine Cooper from Down Under, Karen Willis from Northumberland, Jeff Wilson and the lovely Jan Yates from Canada and Clive Brandon from London.
I still have a child’s appetite for new things when it comes to art, which combined with a (possibly) healthy scepticism for the Emperor’s New Clothes style of ‘let’s see what we can get away with’ means I’m always open to new things and willing to try new media but am usually happy to incorporate what I’ve learned into my own style if it fits. I have tried going all out for a different way of working and the only two things I’ve had to admit complete defeat with were oil pastels and totally abstract work, either or both! I could not detach myself in order to be able to paint without discovering and developing something recognisable in the marks. I actually got stressed trying to do just that. As for oil pastels, how different could they be from soft pastels, I asked myself. The answer was world’s apart and totally out of my reach. Is there some connection … maybe abstract artists are really at home with oil pastels? Does oil pastel by nature have to be at least partially abstract? Who knows, not me, that’s for sure.
So what’s new for me just now? Well I did mention that I had bought a stylus that comes with software for creating on the iPad. Here’s my first iPad sketch – a bit rough and ready and I still don’t quite understand how some colours seem to be transparent and some seem to be opaque as that doesn’t seem to be in the list of options. Still, it was enjoyable to do and it gives me no excuse not to sketch even when I’ve not got my sketch pad and pencil with me, so it could be the start of something big … Maybe not big …. small but interesting?