Well, being a cat lover, I would change that saying, wouldn’t I.
In fact, this week’s clog, it’s like a blog but I’m quite likely to put my foot in it, is all about the face … drawing and painting it, that is.
I ran my first full day’s workshop for a few years yesterday, and was dreading and looking forward to it in equal measure. The dreading part was to do with the preparation, you can never do enough and never have enough time. If people wonder why they pay so much for a workshop like this it has less to do with what goes on on the actual day, and more to do with the days of preparation and years of accumulated knowledge. I may not have a formal degree in art but I do have the years under my belt of trial and error, going to other artists’ workshops and demos, absorbing from books, DVDs, tv and mostly practice, practice and more practice. There’s no substitute for the latter.
Take my morning’s photography workshop (learning, not teaching on this occasion). We talked ISO, shutter speed and aperture. I thought I understood the message. Then we were invited to try taking photos around the room, using our new found knowledge to get the right setting for the shot by manually choosing our settings. I turned into Manuel from Fawlty Towers. Que?
After some time of blank expressions, a few questions to the tutor and a lot of mindlessly pressing all the buttons on my camera, I actually took a half-decent photo. Half-decent for me that is, not for someone who knows what they’re doing. Of course, I said, I don’t need the best quality pictures as I want them for reference for paintings. However this is not strictly true as there will be more wildlife, pet and bird paintings in the future and for those I do want to learn how to take photos so crisp and clear that the feathers tickle your nose and make you sneeze…
Which brings me back to fur, and my comment of more than one way to stroke a cat … A recent visitor was stroking a friendly semi-feral cat that we have adopted and who lives the “Life of Riley” in our very large garage / shed. He has a heated bed, food delivered twice a day whatever the weather by his very own butler (my other half) and all the company he can stand from our other cats who are fair-weather ferals (and come indoors for most of the time). He was happy to be stroked, explained my beloved to the visitor, apart from there and there …
So, the workshop went extremely well, no glaring omissions in my preparation, all the food went down well at lunch, a relaxed, talkative bunch of people and some really good work produced. This was the part of it I was looking forward to as it’s lovely to see people growing in confidence and enjoying their art. The best part was that two out of the six people could not get to grips with my method of measuring with a pencil to create an accurate drawing. When I say my method, I mean my preferred method amongst several classical ways of accurately transcribing a subject. you’d think this was a failure. However I had an ace up my sleeve with my second string, go to method for beginners – the upside down way, as prescribed in one of my favourite books, available from Amazon (click on the link below to see the book).
This is a method to train your artistic side of the brain to override your logical side, ie how to draw what you see and not what you think you can see. Sounds like high-falutin, arty-farty nonsense, but it’s a simple, effective way to learn. It worked spectacularly well for one of the artists at yesterday’s workshop who had not drawn or painted since her schooldays and we won’t mention how long ago that was.
If you only buy one book in your life about drawing, make it this one.